Opportunity Hunting in Chaotic Times like Covid Crisis

Opportunity Hunting in Chaos. It is a presentation about innovation given by Jeremy Gutsche, Trend Hunter CEO & NYT Bestselling Author.

Opportunity Hunting - framework by Jeremy Gutsche, TrendHunter CEO

Chaos creates opportunity but also sparks ongoing change. Often, people don’t notice the extent of the ongoing change.

Furthermore, when hunting opportunity in chaos, it’s very important to develop a series of tactics and tools to help you filter through the noise, in order to see each of those incremental steps and better identify clusters of opportunities.

Indeed, in any markets/companies/organisations, when it comes to identifying opportunities in chaos, there are really 3 different things to be good at :

  • Reset your expectations
  • Have a tactic or toolkit for hunting new ideas, inspiration.
  • Have a system of filtering through those ideas to find a cluster of opportunities.

We are going to step through each of these steps into opportunity hunting.

Opportunity Hunting - in Chaos

Additionally, when opportunity hunting and getting those results mentioned above, you need to ask yourself this question: where do you find new ideas?

Here are some example of ideas to help you get inspired:

  • Trend safaris: Try to experience other industries and cultures (IKEA)
  • Look for subcultures: Look for subcultures of cool or the opposite of mainstream (QUIKSILVER)
  • Create a full perceptual map of the industry: look at restaurants, food trucks, anything related to the product cycle of what it is they are creating (PEPSI)
  • Randomise your inspiration: go to lectures, webinars you’ve never been to before or would normally be interested in (IDEO)
  • People watching: visit competitors and smaller shops to study what customers are doing (NESTLE)
  • Pursue curiosities: answer the question ‘wouldn’t it be cool if… ?’ (APPLE/CANVA).

1- Tactics from our clients

Opportunity Hunting: tactics

The first concept we will dive into will be:

2- Four levels of opportunity hunting

Opportunity Hunting: four levels of opportunity

Opportunity Hunting: four levels of opportunity

A cluster is a group of items that have the same common factor. For eg, here caffeinated products (drink, crips, chewing gums).

3- Innovation exercise in opportunity hunting: design your own hip hotel.

a) your market (eg Hotels)

Hunt your Market (eg Hotels)

b) adjacent markets (eg Hotel services)

Hunt Adjacent Markets (eg Hotels)

c) your target market demographic likes and is doing

Hunt What Your Target Demographic Likes

In a 2.0 World, the vending machine would give a free drink if you use the hashtag shown on the machine.

d) Group into meaningful clusters

Group into meaningful clustersGroup into meaningful clustersGroup into meaningful clusters

But here is the catch: the human mind is great at recognising patterns…by creating shortcuts… (bad!)

E) Throw your first clusters away

Throw your first clusters away

F) Re-cluster!

Re-cluster!Re-cluster!Re-cluster!Re-cluster!Re-cluster!

Now, you have these groups and need to pick only one of those new clusters to create a new hotel. And what you’ll find that at round 2, people come up with more interesting and unique hotels and less expensive.

Here is what happens. When you focus on a cluster, you’ll start working on a cluster important to your customers, because it is based on a series of ideas more likely to succeed.

4- Workshop: repeat these tactics for your brand

Repeat these tactics for your brand

So, if you are wondering, how did I find these 6 clusters? Well, I use the patterns as follow:

  • In-room luxury: re-direction or surprise
  • Nostalgia co-branding: cyclicality
  • Humanisation of pets: simplicity, focusing on something very important for a specific group of people
  • Viral youth targeting: looking for things that are rebellious
  • Renting cultural experience: acceleration by taking one small idea and taking it to the next level.

I’ll show you now how this works. In the chaos, big changes are like splashes in water that create ripples of opportunity. The way I think about it is that ideas are like a plethora of little dots. Each dot represents a new idea. But those dots are a little more connected than you think. If you find multiple clusters and start adding up, you’ll find several related clusters, you can identify megatrends.

Opportunity Hunting: Identifying megatrends

But if you dial megatrends up, even more, you can find the patterns. And the patterns are going to be the focus of the next 5-10 minutes, that we’ll dive into.

Opportunity Hunting: patterns

5- Patterns of opportunities

You could use the patterns of opportunities to label the change you see out there.

Opportunity Hunting: patterns

But you could use the patterns the other way. Instead of diagnosing, looking outward to find opportunities that are out there.

Opportunity Hunting: patterns

Divergence: ‘Instead of marketing to the masses, be irresistible to a specific group of people’.

Google didn’t want to buy Facebook in 2007 and tried to replicate what Facebook was doing, ie copying their business model. Guess what? It failed badly.

But, if we used ‘Divergence’ as a business model, we could break down what Facebook was doing and find new opportunities. Divergence means people don’t want to be part of the mainstream.

So, Facebook was a site for Friends. So, what is the opposite of that? A site for celebrities, and people you don’t know. That opportunity was filled by Twitter later.

If people are archiving all of their photos, what if I don’t want to have my photos of parties to be archived for the rest of my adult life to be seen by others? Well, something needed to be less permanent, creating an opportunity for Snapchat.

If people are photographing their everyday life, and their food, and ruining the art of photography, something needs to bring that art back. So, twelve people coded up Instagram and sold, interestingly enough, to Facebook for $1 billion, which is a nice check to split between twelve colleagues.

A) Divergence Pattern

If you want to find out divergence in your own market, you take an example of the innovations  you are seeing and you’d ask questions like :

Divergence pattern

Nonetheless,  I’m not going to explain all of these megatrends or sub-patterns today, because you can dive into those resources at trendhunter.com (especially trendhunter.com/pro). You’ll see our entire site is broken down like this, so you can learn the methodology.

Instead, i’m going to keep rolling on and walk you through each of the patterns.

B) Acceleration Pattern

Acceleration is the concept of ‘taking a little idea or customer experience and make it bigger, better, smarter, and more exciting‘.

I’ll give you an example. There’s a guy, who hated marathons. He thought marathons were stupid. You know why? Because people work really, then run and are not happy with the results, because, guess what, it’s a race. If you asked people who did marathons, how they did. People will almost always answer sheepishly: ‚I wish I did better, it wasn’t exactly perfect but I got it done. And if you asked people ‚why did you do the marathon?‘. They will answer ‚ I wanted to have it completed.

So, there is that sense of accomplishment feeling, and by accelerating it, you could make something more interesting. That’s when you created the concept of tough mudder, an experience where there is no clock or timer. And as you run, navigate the course,  you’ll go through mud bogs… and you’ll do it all with your friends. So, it’s kind of cool because you do it as a team. You do it together, take pictures and everyone changes their telephone backgrounds to be that picture of their life accomplishment tough mudder. And in the future, if you ask the question; ‚how did you do in that race ?’, you’ll answer ‘I did awesomely. Take a look at this picture!‘

The company went from 0 to $70 million in two years, teaching us we need to re-think what people actually want.

To find acceleration patterns in your industry, you’ve got to ask:

Acceleration pattern

C) Cyclicality Pattern

This brings me to the next pattern ‚cyclicality’ with the simple notion that ‘everything old is new again’.

Consistently in time, we see a great example of designs, and culture from the past re-embed themselves in the modern-day. You know that people love certain things to come back. Cyclicality continues in almost every industry in a variety of ways.

To get the cyclical opportunity, you first ask :

Cyclicality Pattern

D) Convergence Pattern

This brings me to the next pattern of ‚convergence‘ and the notion of ‚your next idea exists in some combination of things you already know‘.  

Take a guy in prison who couldn’t help but think how different his life could be if he’d simply joined his dad and his brother in the family bakeshop. He studied all the little tiny trends that seemed to impact the world of baking. Then, he made the ingredients organic, and local, which gets to another segment, the restaurant. There, he put solar panels on the roof, which gets the eco crowd. He brought fair wages and more importantly got an element of social good by hiring ex-convicts. Finally, shock branding was pretty big at the time with the advertising slogan ‚Dave’s killer bread, it’s killer good, say no to bread on drugs‘.

The bakeshop went from a tiny shop to a $250 million bread empire in just a matter of years.

To get to a convergence opportunity, you need to ask yourself :

Convergence Pattern

E) Reduction Pattern

Now, let’s move to the ‚reduction’ pattern, which is the concept of ‘it’s not about getting a big idea, it’s about a little idea you can make big’.

Think about all the apps that have a single function, yet are so successful because they do that function very well.

Let me tell you a story of a guy whose future wife broke up with the engagement. He was left with a ring and initially didn’t quite know what to do. So, even though he was very late to the game, he started an online jewelry auction called ‚I do and now I don’t‘, so that the broken people can exchange their jewels. Now, he wanted to help people get over that little fear of how to make that transaction safe. Between the buyer and seller, he added an authenticator, to make sure the jewel is real.

With the concept of reduction, you are trying to be irresistible to a specific group of people.

To find your reduction opportunity, you’d scan your ideas and opportunities and ask yourself :

Reduction Pattern

F) Redirection Pattern

Then, we will move on to the last of the six patterns we will view today, which is ‚redirection‘, that element of surprise. It is about ‚Reinventing and re-positioning the possibility of what could be’.

Here are a few examples of taking weaknesses into opportunities:

Reduction Pattern Examples

Re-direction opportunities can be found by looking at :

Redirection Pattern

Summarising all this, let’s review the tactics for your brand in your opportunity-hunting strategy:

Opportunity Hunting: Tactics' Summary For Your Brand

The new ideas based on the cluster refer to your newly found customer insights.

6- 4 Levels of Breakthrough

Finally, let me walk you through a bonus part based on my experience of opportunity hunting.

Opportunity Hunting: 4 Levels of Breakthrough

A defining choice: you will get presented with something at some point in your career that you could do. It’s within your grasp. It’s often so close to your comfort zone, so similar to things that you have tried, that you dismiss it. If you want to not dismiss it, you must explicitly identify your comfort zone with your team. You then need to push your limits, and make a bold choice.

A dismissable trend: it happens when you are an expert. It’s a trend in your industry where your expertise makes you think you know better. It explains why so many iconic innovators have missed out on huge opportunities that were within their reach. If you don’t want to miss a trend, be humble, ask questions, recognise the blinding power of your own expertise.

A work-shoppable idea: it’s something that comes to you, it’s probably not a bad idea, but you need to workshop through it with your team. If you want to identify a work-shoppable idea, challenge what seems possible, deep-dive your curiosities, and pursue your next customers (not the ones you already have).

All of this brings me to the final idea, the hidden gem.

All in all, I’ll summarise by saying, you are going to create your future. You have so much potential within your grasp. Put push harder, act sooner, and never give up, because you are capable of more than you think.

 

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How to Create a Stunning Short and Long Film with any Skills Levels

This is a guide for anyone who wants to improve their filmmaking skills regardless of their professions and levels.  You will not only learn how to create a stunning short or long film but also how to succeed in the filmmaking industry! 

This talk comes from a 1h webinar. I have transcribed its content in his own words.

The agenda points are as follow:

1. How do I get started?

2. Top 10 secrets to cinematic film shots

3. My 6 steps to making money.

About the presenter @parkerwalbeck

How to Create a Stunning Short and Long Film

First of all, I am 28 years old based out of Salt Lake City, Utah and I spent about 3 years working with a YouTuber named Devin Super Tramp. I had the opportunity to travel all over the world creating content for top name brands.

Some of the brands I work for during those travels include Ford, Champion, CityBank, Mattel, Turkish Airlines, Ubisoft, and many more…

On these high budget projects, I worked as a cinematographer, editor and even director at times. So, if you take nothing from this training, at least take away the confidence of knowing that the things I’m teaching you today, if applied, will give you the know-how to produce high-end video content for big names companies like these.

More recently I branched off and started my own production company working with some big names like Sean Johnson, Tony Hawk, and I grew my own YouTube channel to over 200 000 subscribers in just the first year. Creating content on my own channel for some big brand names such as LG, Canon and receiving sponsorship from companies like Glidecam, Zhiyun and Wescott and many more.

In a nutshell, I have learnt what it takes to create high-quality videos in a tracked high paying clients. I am super excited to share with you my insights right now. So let’s dive in.

1- How did I get started?

Secondly, I’m going to share with you my story and steps I took to get where I am today without going to film school.

So let’s rewind. Five years ago, I was knocking doors, selling network tv in the hot weather of Texas. I was absolutely hating my job and dreading getting up every morning to get to work. But I needed the money to figure out what I really wanted to do for a career. One night, I came across a quote by Steve Jobs that completely inspired me and changed my life. It reads: ‘Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven’t found it yet, keep looking. Don’t settle.’

So, I quit my job the next day, drove back to Utah and started searching for my real passion. That’s when I came across a video on Youtube by a guy named Devin Super Tramp and I immediately fell in love with his style. He had these perfectly smooth shots, vibrant colours and moving music. This is it, that’s exactly what I want to do with my life.

I used my life savings to buy my first camera to buy a used Canon T3i, a Tokina 11-16mm and Glidecam HD 2000, totally $1,300. You need to be willing to spend money in good professional gears if you want to be treated as a professional.

But as soon as my fancy new gears arrived, I realised I had no idea how to use it. So, I spent the summer watching frustrating Youtube tutorials trying to teach myself how to do everything. I’m sure a lot of you have been in the same scenario where you spend an hour looking for a tutorial. Finally finding one that looks promising but it’s 20 minutes long and you are lucky if you get 30 seconds of useful information out of it. Huge waste of time!

But after 3 or 4 months of tutorial watching and learning by trial and error, I took my limited knowledge down to Southern Utah University attending school at the time. That’s when I had my first opportunity to create a name for myself.

The first event of this school year was that awesome Pink Dancing. While dancing with my friends, I noticed that nobody was filming the event. I immediately recognised this opportunity to pose myself as a professional filmmaker on campus. I pretended to know what I was doing and like I was the one hired to film the event. And this is a huge principle to my success, be confident! Take the opportunities that present themselves to you. Because that’s the only way to grow and get better. I often refer to this principle as ‘Fake it until you make it’.

I then took that footage home, editing together a video, posted it on Youtube the next day. Everybody started sharing it like crazy. Everybody loved the video including the administration who saw the video and pulled me in the office. They said ‘we love this video you just made, we’d like to offer you a scholarship to film the rest of our events for the rest of the year’.

Within a couple of months, I was able to make a return on my initial investment by landing a full scholarship and paid gigs around campus. But I didn’t stop there. A huge part of my success was continually learning and growing. So, instead of being content with my new found success, I pushed myself to the next level by upgrading my camera set with a Canon 5D M3, Canon lenses of 16-35 mm and 70-200 mm and a Glidecam HD 2000, totalling of $6500.

This new set up was a huge key to being able to take my next opportunity. About a month after buying my new gear, I saw a Facebook post by Devin Super Tramp needing somebody for shootings. I replied to it. He responded back ‘Perfect, see you tomorrow’. So I spent the rest of that weekend doubling as Devin’s arm model for his far cry treat video on Youtube. While I was working on the set with him, I started picking his brain and said ‘Devin, who is doing all these videos?’. He replied ‘You know what? I’m actually looking for somebody right now. I have been doing all this by myself until now’.

So I’ve sent him all my work and said ‘Look, I don’t have the most experience but I can promise you that I will be more passionate and hard-working anybody else can’. He asked ‘What camera do you shoot with?’ And for me being able to reply ‘the exact same gear you do’, it gave him a lot of confidence to hire me. But it wasn’t easy.

Following this, I started working for him for a couple of months working for him for free just to add value to his business. And that’s another principle I live by is ‘Add value first’.  After he saw the value I added, he hired me full-time and I was able to pay back my debts for my equipment purchase.

However, after working for him for 3 years, I left the job because I wanted to continue learning and growing. I then broke up, started my own production company and ‘full-time filmmaker’ class.

After that, I asked all my Youtube followers ‘What do you want to learn from me?’ I received two hundred replies, which I ordered them chronologically from beginning to end. Then, I set up a plan to reply to what people needed to know to become a filmmaker, even if they were complete beginners. For this, I spent the next 6 months to create this full-time filmmaker programme, 20 hours of content.

2-  My top 10 secrets to cinematic FILM shots

Thirdly, let me share with you my cinematic shot secrets.

  • Buying the right gear: what camera should I buy?

Well, it completely depends on what you want to shoot and what your budget is.

a) First budget range

If you don’t have any budget, just use your phone. Most smartphones have decent cameras integrated. I can assure you that you can get similar results to that of high budget cameras. If you are using your phone, make sure to use of a manual camera app like FiLMicPRO. It only costs $10 (17 Euros)  that allows you to manually control your image for best results. Also, to get smooth shots, I recommend using a stabiliser. The Zhiyun (Smooth Q) is a good option.

b) Second price range

You can get a DSLR for $600. The best beginner camera I recommend is the Canon SL2. There are other great options like the Panasonic Lumix DMC-G7 Mirrorless with 14-42 mm lens. But I prefer Canon cameras for their amazing in-camera colours, the superior auto-focus and great lens options. However, every camera manufacturer will have pros and cons.

c) Third budget range

If you have around $1000, I’d say look into a nicer lens and stabiliser for your DSLR. Lenses are just as important as the camera bodies. Depending on what you shoot, I’d recommend either getting a wider lens like the Tokina 11-16 mm for Canon cameras, a Canon EF 50 mm f/1.8 or a standard lens like the Sigma 17-50 f/2.8 zoom lens for Canon.

As for the stabiliser, I’d recommend a Glidecam HD-2000 hand-held stabiliser that helps incorporate cinematic movements. You can also get the Zhiyun Crane 2 for a similar price as the Glidecam.

d)  Fourth price range

For around $1000 just for the camera body, you can get a Panasonic Lumix GH4, Canon EOS 80D or the Sony Alpha a6300 Mirrorless. Each grade for different reasons like the sensor size, resolution, frame rate.

At around $2000, I’d say the Panasonic Lumix GH5 is probably the best for a quality image for the price. Or the Panasonic Lumix GH5s for 500$ more and few extra features.  For around $3000, I’d say your best options are the Sony a7S II, which is amazing in low-light for shooting events like weddings, or the Canon EOS 5D Mark IV. Both these cameras are full framed sensors, which give you a more shallow depth of field compared to smaller sensor cameras like the Panasonic GH5.

e) Jumping into $5500 mark, the Canon EOS-1DX Mark II shoots 4K at 60 frames per second (FPS) and has the most amazing in-video auto-focus tracking system on the market. Now if you have outgrown the DSLR world and are looking into getting into the higher grade cinema cameras, a couple of good options would be the Blackmagic Design URSA Mini Pro, the Panasonic AU-EVA-1 and the Canon EOS C200 EF. They are all sitting around $6000-7500. The next one up would be the Red Raven for $6000 body only, a type of camera used to film Hollywood films, like Pirates of the Caribbean.

However, keep in mind that it’s not the camera that makes the most difference but rather the skills and creativity behind the camera. So, I always tell people it is pointless to buy expensive cameras if you have no idea how to use them.

  • Choose the right settings: how to get a cinematic look?

  1. Shoot at 24 frames per second (fps)

This is what they shoot Hollywood films at and this is what your eyes are used to seeing when it comes to high-quality films. The reason is that it gives a certain motion blur that is easy on the eyes and makes it feel more like a film. If you shoot at 30 frames per second (fps), it looks smoother but it will make it look like more like a soap opera or a news broadcast. They shoot at this speed to make it feel more ‘live’ and less like a film. If you shoot at 60 fps you will convert that to 24 fps in the editing room if you want to create a slow-motion effect.

2. Picture profile settings

A standard profile with sharpness down to zero, your contrast turned down 1, saturation up 1 and colour tone up 1. These settings will give you a super vibrant saturated happy look.

How to Create a Stunning Short and Long Film

3. Auto White Balance

I highly discourage you from anything auto on your camera. Instead, learn how to use your manual settings. Every light source has a colour temperate. The temperature of the sun during sunrise is 2500 Kelvin-3500 Kelvin. In the auto balance, everything except the sun will look blue. To change this, go and set it manually to 6000K. It will warm everything up and make it look like a true sunset. As a rule of thumb, if you are shooting outdoors with direct sunlight, I’d recommend shooting between 5600 and 6000 Kelvin and if you are indoors, you usually want to be between 3200 and 4000 Kelvin.

4. Auto ISO

Furthermore, avoid using it auto. With this auto setting, you will either expose for the sky and under-expose the subject or under-expose the darkest part of the subject and expose-expose the sky. While choosing the exposure, use this histogram graph. It will tell you if under-exposed (left) or over-exposed (right). If well exposed, it will be spread out evenly throughout the diagram.

  • Get smooth shots: how can I get smooth shots?

  1. Good balance
  2. Lens choice
  3. The off hand
  4. The way you walk.

1. Good balance

First and foremost, focus on getting a good balance and smooth shots with your Glidecam stabiliser. There are 3 points of balance with your Glidecam: left/right, front/back, top/bottom. The top to bottom is the one people are struggling the most. The way to correct that is by having a drop time between 2 and 3 seconds (not too fast). The drop time is the amount of time it takes for the glide to come from horizontally to vertically. This will prevent the glidecam from swinging back to forth as you walk.

2. The off-hand

Secondly, the off-hand is the biggest key next to your balance. I personally recommend holding the glidecam with your least coordinated hand and stirring the glidecam with your best hand. Do not touch too much the shaft of your Glidecam, the less you will stir the glidecam, the smoother the shots will be.

3. Using the right lens

For starters, I will recommend you use a wider lens (16 mm). This will give you a wider view making less apparent when there’s a camera. As you improve, you can upgrade to a narrower lens (70 mm).

4. The way you walk

Pretend you are carrying a hot cup of coffee across a room and bend your knees to absorb your foot sets.

  • Create Movement: how do you make your shots look so dynamic?

So, here are my top 10 Glidecam moves:

  1. Push-in shot. This is the most commonly used for establishing shots like real estate, landscape. This is a great alternative to static shots.
  2. Pull-out shot. This is something to re-build something in the image.
  3. Parallax shot. This is the one I used the most and is my favourite. I move my body in one direction while panning the camera in the opposite direction. This makes you look like the subject stays in the same spot on the frame while everything else around them is moving in the background. It creates movement while focusing on a subject.
  4. Rise up shot. This is just going straight up.
  5. Reveal shot. That’s when I find something in the foreground to reveal something else in the background.
  6. Tilt-down shot. This is when there is something interesting above me. I use it to glide up against to reveal something else below me.
  7. Tilt-up shot. I like to use this for intro shots to establish a location in a video or to reveal a character to open up the scene.
  8. Change of focus shot. This is when I set up close to my subject. I start further away from my subject (out of focus) and move closer to focus on it (into focus).
  9. Tracking shot. Lead tracking, follow-tracking, sidetracking.
  10. Transition move shot. This is where I use two different objects from two different scenes. I match the two shots together creating a cool transition making seem like I’ve been from one place to another by using something in my frame.
  11. Low mode shot. I turn my camera upside-down, stir my subject up against the sky and giving a fresh new perspective.
  • Create depth: what aperture should I shoot at?

In this regard, I personally like filming at aperture 2.8 or lower for most things. The reason being is when you use a low aperture; it knocks the background out of focus and gives a shallow depth of field. This helps the viewer focus better on the subject as the background is blurred. It also looks more cinematic because that shallow depth of field is creating layers and depth to the image.

But, depth can also be created using foreground. When filming, I’m always looking for some foreground to glide up against to make my image feel more 3 dimensional.

Other than that, another tip for creating depth is finding natural leading lines, whatever it is around you, to help you lead your eye to the centre of the image.

  • Camera angles: what camera angles should I cover?

  1. Let’s start with the 5 angles they will teach you in school:

a) Wide angle for establishing shot

b) Long/full body: a wide shot that covers your subject from head to to

c) Medium shot

d) Tight/close-up which is usually just a face

e) Detail/extreme close-up shot which focuses in on a particular detail.

Of course, you can mix up those angles by doing low angles to show more power or dominance or high angles to show more vulnerability or weakness.

2. 5 shot rule covers 5 angles of the important action

  1. Wide shot to establish a location
  2. Front using a GoPro
  3. Top to give more perspective
  4. Side right in the action
  5. Back using a GoPro.

Then in the editing room, I can cut between the different angles and piece them together to show the viewer different perspectives. This adds life to your story. You can add some music to make your video look the same scene more dynamic and action-packed.

  • Perspective (lens choice): which lens should I use and when?

By far, my favourite one is the widening angle lens (16 mm) for wide group shots, landscapes, real estate to give an impressive look and close-up to action feeling.

The second one is the narrow-angle lens (70-100 mm) to create a better face-tight shot as it’s more flattering and doesn’t destroy facial features. So, when I’m shooting a wedding or a portrait, I always pop up on my standard 24-70 mm lens, as it allows me to get either the wider group in the image (24 mm) or the close-up spouses (70 mm).

My next lens is the 70-200 mm telephoto lens for the times when I can’t get physically close to the subject. I can use the zoom at up to 200-yard distance to focus on the subject (200 mm).

Now, as far as prime lenses go, I go for Sigma Arts series 20-85 mm costing between $800 and 1200 mm.

  • Focus: how do you keep subjects in focus while moving?

These are the 4 tips to stay in focus:

  1. Get a camera with a good auto-focus tracking like Canon for any predictable moving subject (interview/wedding)
  2. Set focus and maintain the same distance to my subject
  3. Handheld continuous focus pulling. I will help the glide shaft while moving away or closer to my subject.
  4. Use a high aperture between 16 and 22 mm so that everything stays in focus.
  • Polarisers: what filters do you use?

I rarely use filters and I’d rather use polarisers. Polarisers make your colours look more vibrant. This gives you the appearance of better dynamic range as it softens those highlights from the sun reflection for outdoor shoots.

At present, the polariser I use is B+W 82 mm HTC Kaesemann circular polarizer with multi-resistant coating costing about $140 depending on the size of your lens.

  • Lighting: how do you get the most out of natural light?

3 factors:

  1. Time of day.

Indeed, the best time of day to film is during the ‘Golden Hour’. The golden hour is the first hour of the day (sunrise) and last hour of the day (sunset) when the sun is low in the sky. If you shoot at noon when the sun is overhead, it’s much less flattering. The colours outside are less saturated. The harsh sunlight creates hard shadows.

2. Camera direction

Besides, I love shooting in the sun because when you use the sun as your backlight (golden hour), it gives you those beautiful sun flares coming in and out of your image creating a cinematic look. It also creates even more light on the subject faces (no squinting eyes and unflattering faces).

Now and then, I like to have the sun as a frontline source, it’s for landscapes. It gives vibrant colours.

3. Nonetheless, If you can’t wait for the sun to come out and it’s cloudy, don’t just put your camera away

For instance, for weddings, the clouds act as a giant diffuser, which softens the light and creates a more flattering look on people’s faces. So, just figure out to utilise the weather patterns to your advantage. For me, I use the rain and the snow in slow motion creating movement and epic look to my film.

  • Bonus secret: editing. What software? Editing tips?

The editing software I use is Adobe Premiere Pro and Final Cut Pro X. But I’m sure you want to know how to use them.

Hence, here are my post-production tips:

  1. Audio is equally important to display a good quality film.

Yet, do not neglect audio. Make sure you are getting close enough to the subject to make sure you are capturing a good quality sound. Also, the sound design added on top of what you recorded that will help everything come to life. You can use stock sounds. Throwing as many layers (sound effects) as you can to help your viewer feels it’s actually there.

2. Choosing the right music

My four go-to music licensing websites:

  • Premiumbeat.com
  • Audiojungle
  • Soundstripe
  • Artlist.

Moreover, be patient with finding your piece of music and picks one that helps tell your story best. Additionally, you can also use a list of independent artists.

3. Colour correction and colour grading

– Colour correction:

Within Adobe Premiere Pro, I use a ‘lumitri colour’ in colour effects. Next, I will adjust my white balance using my temperature selector, then adjust exposure if needed, add some contrast and saturation. And last, I’ll go to my RGB curve and create an ‘S’ curve to bring highlights up and shadows down. It helps colours and image pop.

– Colour grading

This will give your footage a specific look or feel. You can do so again within the ‘creative lumitri colours’. These are basically colour grading presets you can choose from to give a look that fits your story. One of the most popular colours grading out there are:

The Orange and Teal look or the Blockbuster look or the Flat Profile or Brown Aqua RMN, Brown Aqua RMN.

Though,  remember, practice makes perfect!

Now, I’d like to talk about how to make money within the film industry.

3- My 6 steps to making money

a) Video Revolution for brands to promote their products:

– Youtube/ Webcam/ Drones…

– Digital Ad Revenue: $9 billion in 2016.

b) Furthermore,  you can set up into any of these film industries. Likewise, there is plenty of variety.

– Events

– Corporate

– Travel

– Independent films

– Luxury Real Estate

– Weddings

– Actions/Sports

– Documentaries

– Business Commercials.

Consequently, don’t give out your dreams because you feel you are too late in the game and the market is over-saturated. There is plenty of work to go around for everybody!

c) Last but not least, here are my 6 steps to making money:

– Invest in yourself: gear, education and time

– Master your skills: what separates you?

– Build a portfolio

– Market yourself

– Build relationships

– Add value first/free to fee: start working for free and then get charged for your work. Do negotiate to be paid at the right price.

Finally, for those who prefer watching a video over reading, please find his webinar below.

To close the topic, do you have any questions? Is there anything you would like me to clarify?

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